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20 Jackie-O Motherfucker
Fig. 5
[Road Cone]
Inside the cardboard folio case of Jackie-O Motherfucker's relentlessly
inventive Fig. 5 is a picture of giant boombox planted in the
middle of a disaster-stricken neighborhood. The houses slouch toward ruin,
but the ghetto blaster is as proud and upright as the Lincoln Memorial.
Fig. 5 could not ask for a better emblem. Two multi-instrumentalists,
Tom Greenwood and Jef Brown, surrounded themselves with a host of eclectic
jazz, rock and country musicians, a gospel choir, and some mixing equipment,
and constructed an aural revision of American musical history. Garbage can
percussion, twanging lap steel, church hymns, magmatic industrial freakout,
free jazz squall, and prison camp worksongs all blended into a grim,
backwater masterpiece of found and forgotten sounds. Ever wondered what
rust sounds like? This is your chance. --Brent S. Sirota
19 Two Lone Swordsmen
Tiny Reminders
[Warp]
Andy Weatherall and Keith Tenniswood's Two Lone Swordsmen project doesn't
fuck around. The inaccurately titled Tiny Reminders was, in fact, a
whopping huge klaxon-blast of nervy electro, pogo-post-punk funk, and manic
Neu! energy. If last year's Stay Down was a pressurized tank of toxic
gases, Tiny Reminders was that same tank ruptured, its vicious
contents propagating throughout the area. A tremendous follow-up for
an already overachieving debut. --Paul Cooper
18 Badly Drawn Boy
The Hour of Bewilderbeast
[Twisted Nerve/XL]
Infused with wünderkind Damon Gough's wicked sense of humor, The Hour
of Bewilderbeast is an hour-long score for the lifespan of a romantic
relationship (yes, just like Whip-smart). A debut this acclaimed
is truly a rare feat, especially for a naif with a folkie's tender
sensibilities. Did the Boy set the bar too high? The fact that the music
on Bewilderbeast eclipses all of the focused hype, the gimmicky theme
and the attention baggage that accompanies an accolade such as Britain's
Mercury Music prize is a true deposition on the innate songcraft skills of
Gough, and suggests otherwise. --John Dark
17 Summer Hymns
Voice Brother and Sister
[Misra]
Voice Brother and Sister is an album in the classic sense. Not a record,
not a bunch of songs, but an album. Every single element of Voice Brother
and Sister-- from the hazy summer imagery depicted on the cover, to the
beautiful, laid-back melodies, to the unique and imaginative instrumentation--
fit together without a hitch, adding up to what could be the perfect "summer"
album. Though the lyrics are at times cryptic, the themes on Voice Brother
and Sister are truly universal; frontman Zachary Gresham taps directly
into the collective memory. Even on the first listen, this album seems
eerily familiar. --Matt LeMay
16 Sleater-Kinney
All Hands on the Bad One
[Kill Rock Stars]
An open message to all those who have referred to Sleater-Kinney's move away
from their signiture sparse, angular arrangements towards catchier hooks,
beautiful guitarwork, and a fuller, more rocking sound as "selling out":
"You're no rock n' roll fun/ Like a party that's over/ Before it's begun."
Always smart and often touching, this record is awesome. Sleater-Kinney
chanced losing some riot-grrl cred in favor of writing songs that cover a
more diverse spectrum of emotions and themes, and came up their most
compelling and political record to date. The anger is still there, but so
is a frustration with our culture's hypocrisy, a silliness in spite of it,
sadness, cynicism, hope, and rock n' roll fun to spare. Right now, I'm
listening (again) to the final track, "The Swimmer." It's a yearning torch
ballad, so I'm holding a lighter up to the speakers. Yes, this is
Sleater-Kinney. --Kristin Sage Rockermann
15 Enon
Believo!
[SeeThru]
Timmy Taylor and Jeff Buckley died around the same time a few years back.
This year, the music world offered several cruel reminders of these corpses.
Every honky with a guitar in the U.K. yearned for Buckley's pouty vibrato
and hedged bedhead, cranking out hours of Jell-O Instant Brooding. Brainiac's
absence is numbed and occasionally abated thanks to band survivor John
Schmersal, who may not have the sass and haywire soul of Taylor, but ably
carries Brainiac's cracked machine into the future. Believo's hi-fi
scrapheap spits more hooks and feathers than Brainiac. Rick Lee's inventions
spice up the fuzzy mix. All in all, it's an eclectic tart from an underground
veteran who landed on his feet after disaster. --Brent DiCrescenzo
14 Super Furry Animals
Mwng
[Placid Casual/Flydaddy]
In their 2001 Census forms, the British government failed to include a "Welsh"
checkbox under the "nationality" query. Just another offense in a long history
of London's long attempt to squash the ancient language. This gesture seems
even more absurd in a year when the U.K.'s most creative pop band, the Super
Furry Animals, crafted a haunted, rural ode in their native Welsh tongue.
Bypassing their typical chocolate-in-my-peanut-butter pastiche of kinky
electronics 'n' rock, the Furries exhaled a light, live acid acoustic sound,
more suited to fireplaces and great stony halls than Glastonbury. Frosting
breath and sparkling horns spread over plaintive strumming and the occasional
gonzo burst. Considering the Anglo-Welsh relations of the last dozen centuries,
the success of Mwng raised the finger as high as "God Save the Queen."
Way to spit on your ambassadors, England! --Brent DiCrescenzo
13 Crooked Fingers
Crooked Fingers
[Warm]
Like a passion play written by Charles Bukowski, or the Pogues on a morphine
binge with Leonard Cohen, Crooked Fingers turns spiritual decay into something
beautiful, even transcendental. Primary member Eric Bachmann still draws his
inspiration from the same fount that spawned Archers of Loaf's noise-rock
nihilism and the more eclectic instrumental arrangements of Barry Black, but
Crooked Fingers was an entirely different beast from either one;
possessive of a cohesiveness and confidence previously lacking, Bachmann's
bitter tales went down smooth like good bourbon, warm and gentle but not
without its sting. --Nick Mirov
12 Gas
Pop
[Mille Plateaux]
A few Pitchfork writers found themselves transfixed by Wolfgang Voigt's
lush, richly detailed soundworld. Pop was one of the year's most
distinctive ambient releases, featuring a gently modulating environment and
the sounds of nature as mimicked by jealous machinery. If it got any warmer
and fuzzier, the New Age Police (better known as the NAPD) would have been
booting the velvet door in. But wait, what's that? Why is an army of
threatening kick drums amassing on the horizon? Ah, just like life, the bliss
never lasts. And we're left with virtual memories of lazy days in the Black
Forest. For immersive sound divorced from song, Gas was untouchable. --Mark
Richard-San
11 King Biscuit Time
No Style EP
[Astralwerks]
Periodically, Steve Mason has taken time out from the Beta Band to remind
himself and his listeners that songs needn't be more than nine minutes long.
No Style's opener, "I Walk the Earth," is the perfect baggy anthem,
which gets us all moist for the days of the Happy Mondays, the Mock Turtles,
and the Soup Dragons. "Fatheriver" is drum-n-bass in service to lonesome
melody, while the gorgeously harmonized "I Love You" imagines Nick Drake as
a member of Sardonicus-era Spirit. No style?! Hardly. Mason oozes
the stuff. --Paul Cooper
10 Smog
Dongs of Sevotion
[Drag City]
No, that's not a typo. Songs of Devotion would be far too direct for
Smog's Bill Callahan, who for a dozen years has churned out album after album
of disturbing prose and haunting music. But with the freakish cat artwork of
last year's excellent Knock Knock, Callahan also exhibited a palpable
sense of humor. This new vein bulges up under the skin of Dongs,
rendering his work more enigmatic than ever. Is it depressing or hilarious
that a man wants his wife to dress sexy at his funeral, with her "blouse
undone to here?" Should I be scared or amused by cheerleaders who sing, "No
time for a tete-à-tete/ Can I borrow your machete?" The answer, it seems, is
both. And just to make sure that you grasp his poignant absurdity, Callahan
has bestowed his latest offering with one of the most ridiculous album titles
ever. --Ryan Kearney
09 Clinic
Internal Wrangler
[Domino]
A simple organ drone and drum machine beat reminiscent of Yo La Tengo's
"Autumn Sweater" open Clinic's "Distortions." Ade Blackburn's voice
enters like a sick but contained cry; rather than simply placing
boundaries on the utterances he lets leak from his body, Blackburn is
lyrically obsessed with this seepage, the rhetoric of the uncanny, and
early 20th century gothic.
The desire for the womb and tomb, and the shock of a still body blinking
its eye inform lyrics like "I've pictured you in coffins/ My Baby in a
coffin/ But I love it when you blink your eyes/ I want to know my body/ I
want this out not in me." After the last word is spoken, "Distortions"
takes cue from the Velvet Underground's "Heroin" and speeds its heartbeat.
That's all in three minutes of Internal Wrangler!
Clinic map articulations of dark cultural fantasies onto typical musical
influences (garage rock chord organ, VU, Wire) to create vital compositions
and an unsettling diagnosis. And they do all of this dressed in Sgt.
Pepper's surgical outfits. --Kristin Sage Rockermann
08 Les Savy Fav
Rome (Written Upside Down) EP
[Southern]
As a rule, the loss of a founding member generally means the beginning of the
end for a band. But Les Savy Fav don't believe in rules, and Rome (Written
Upside Down) made this clearer than ever before. It's a given that Les
Savy Fav are one of the greatest live bands to come along in ages, but with
Rome, they inched toward making their records every bit as unpredictable
and exciting as their awe-inspiring live performances. With guitarist Gibb
Slife no longer providing a steady backing for their unique, biting take on
post-punk, the band broke even further away from traditional rock dynamics,
creating an EP angular and gritty enough to turn the fluffiest bunny rabbit
into a Brillo pad. --Matt LeMay
07 Microphones
It Was Hot, We Stayed in the Water
[K]
Phil Elvrum's musical bag of tricks on his third release as the Microphones
was more akin to a junk drawer. It was a sonic clutter that accumulated over
the course of his years as a notable and prolific producer. Picking through
the jumbled bits of fuzz, tape loops, soft harmonies, xylophone, distortion,
and a parade of friends (just an illustrative few), Elvrum welded the disparate
pieces together with the same end-oriented vision as a sculptor. What boggled
the ear was the seamless, deep-structure soundscape that resulted from the
found orchestra. With the infrastructure imbedded, skeleton-like, just below
the surface, It Was Hot elicits incredulous, slack-jawed double-takes
when the subterfuge is discovered under more myopic scrutiny. --John Dark
06 Grandaddy
The Sophtware Slump
[V2]
They're from Modesto, California, they play atmospheric rock infused with
incongruous computerized effects, and yeah, they're named Grandaddy. But
The Sophtware Slump was an important entry into the small canon of
technologically-themed albums. Although they address human (and humanoid)
alienation, Grandaddy didn't adhere to blind, self-centered humanism. Think
of this album as OK Computer on an alpine mountainside, elevation
12,000 feet.
In Grandaddy's world, "meadows resemble showroom floors" and one is forced
to the outermost reaches of nature (crystal lakes, ice shelves and glaciers)
just to escape the refuse of technology, defunct or otherwise, that litters
life. Sound hyperbolic? Living on a planet where even the highest mountain is
strewn with tens of thousands of empty oxygen bottles, spent fuel canisters
and batteries, Grandaddy might be right on the mark. --Ryan Kearney
05 Godspeed You Black Emperor!
Lift Your Skinny Fists like Antennas to Heaven
[Kranky]
Yes, they wear all black and roll their own cigarettes. Yes, the exclamation
point is part of their name. And yes, they're Canadian; there are nine of them
and they are visibly pissed off about something. Nevertheless, Lift Your
Skinny Fists like Antennas to Heaven was an almost indigestibly massive
double album of stunning innovation and strange new directions for the sullen
nontet.
Taking baby steps away from the symphonic vitriol of the Slow Riot
for New Zero Kanada EP, the band's latest release flirted with shoegazing,
ambient drift, thick drone rock, and new classical. The album even seemed to
smile on occasion. Featuring material recorded over the last several years,
Lift documented new trajectories in Godspeed's music promising further
innovation in the future, I guess, if there is one. --Brent S. Sirota
04 Yo La Tengo
And Then Nothing Turned Itself Inside-Out
[Matador]
A friend once walked out of a Yo La Tengo show grumbling some words including
boring. Later he asked, "Why they don't change chords more"? Yo La Tengo
have made a career of producing compelling answers to that question, ranging
from pop anthems shrouded by waves of distortion to the soft tremulous drones
of And Then Nothing Turned Itself Inside-Out.
These songs were carefully composed layers of intricate percussion, warm organ
tones, and lullabies that worked against themselves, asking you to lean in
closer rather than drift off to sleep. Not only is a subtle tension created
by melodies this alluring and restrained, but the love songs' lyrics are also
quietly edgy. The most voyeuristic sensations are often felt while looking in
on the least melodramatic moments. --Kristin Sage Rockermann
03 Modest Mouse
The Moon and Antarctica
[Epic]
Modest Mouse fans were understandably nervous about the band's major-label
debut. Would Epic demand a more radio-friendly sound from Issaquah's finest?
Would they be encouraged to reel in the fractured instrumental codas? Did
Sony want frontman Isaac Brock to become the new Johnny Bravo? No, no and no,
though the band could probably make rhinestone suits work. Instead, Modest
Mouse took the major-label budget and made the best of it, recording the
album they always wanted to make with Red Red Meat studio ace Brian
Deck.
"Dark Center of the Universe" featured Brock's angriest guitar tone since
"Tundra/Desert," while songs like "The Cold Part" and "Lives" found the band
using the studio to craft dense atmospheres that would have been inconceivable
with earlier producers. Some found it hard to adjust to the new sound, but
The Moon and Antarctica is certainly Modest Mouse's most sophisticated
statement to date. --Mark Richard-San
02 Sigur Rós
Ágætis Byrjun
[Smekkleysa/Bubble Core]
When the next ice age rolls around, Ágætis Byrjun will be considered
sacred music. A blast of pure frozen beauty, the stateside debut from this
Icelandic group is largely exploratory, drawing almost every conceivable
sound from reverb-drenched guitars, keyboards, and, most impressive of all,
the androgynous humanoid vocals of singer Jón Thór Birgisson. But though
Birgisson's voice could easily be likened to a celestial being, there's
something touchingly mundane about it.
Ágætis Byrjun put most so-called "atmospheric" music to shame. Rather
than relying upon ready-made electronic textures, the band's atmosphere rose
naturally out of the flowing, organic soundscapes they constructed. Listening
to this record made immediate surroundings seem like a living, breathing
terrarium, rippling and swaying in rhythm with layers of submerged keyboards,
bowed guitar, and painfully beautiful vocals. Ágætis Byrjun is an
album of paradox: although it is sonorously glacial, it will melt your heart,
if not the rest of you. --Matt LeMay
01 Radiohead
Kid A
[Capitol]
What's left to be said about Kid A? By now, virtually every
publication and music-based weblog has offered their two cents. Both fans
and detractors littered message boards and chat rooms with their "unique"
takes on the record. But when was the last time an album of such artistic
merit was debated to this degree? Kid A marked the first time in ages
that a band whose previous album saw heavy rotation on MTV had total creative
freedom, and took it as an opportunity to expand the definition of popular
music.
Fans unwilling to accept that Radiohead had shed the skin of rock music
for celestial electronic manipulation claimed that no song on Kid A
matched the emotional riptide of OK Computer's despairing "Exit Music
(For a Film)" or "No Surprises." If anything, Kid A aches more deeply
without the anchoring of lucid lyrics; songs like "Everything in Its Right
Place" and "Motion Picture Soundtrack" express desolation, mourning, and
distant hope instrumentally, whereas OK Computer's "Let Down" would
have just been another chiming Britpop ballad without such signature Thom
Yorke melodrama as "one day, you'll know where you are."
To pit Kid A against OK Computer would be absurd; the two albums
are dissimilar to the point of incomparability. But the band's fearless leap
into such uncharted waters is respectable on the merits of confidence alone.
That Radiohead, once immersed in their new concept, managed to assemble an
album this emotionally powerful from raw technology is a testament to their
creativity as artists rather than technicians, and to their position as one
of rock history's greatest bands. --Ryan Schreiber
Individual Lists
Paul Cooper (Staff Writer)
20 Photek: Solaris (Astralwerks)
19 Black Box Recorder: The Facts of Life (Nude)
18 Jeff Mills: Metropolis (Tresor)
17 Tied and Tickled Trio: EA1 EA2 (Drag City)
16 Chicago Underground Duo: Synaethesia (Thrill Jockey)
15 Spring Heel Jack: Disappeared (Thirsty Ear)
14 Underworld: Everything Everything (V2)
13 PJ Harvey: Stories from the City, Stories from the Sea (Island)
12 Ian Pooley: Since then (V2)
11 Wookie: Wookie (Soul2Soul)
10 DJ Teebee: Black Science Labs (Certificate 18)
09 Radiohead: Kid A (Capitol)
08 James Ruskin: Point 2 (Tresor)
07 Vladislav Delay: Multila (Chain Reaction)
06 Luomo: Vocalcity (Force Inc.)
05 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
04 King Biscuit Time: No Style EP (Astralwerks)
03 Two Lone Swordsmen: Tiny Reminders (Warp)
02 Geeez 'n' Gosh: My Life with Jesus (Mille Plateaux)
01 Isolee: Rest (Playhouse)
John Dark (Staff Writer)
20 Death Cab for Cutie: We Have the Facts... (Barsuk)
19 16 Horsepower: Secret South (Razor & Tie)
18 Kelly Hogan: Beneath the Country Underdog (Bloodshot)
17 Rock*A*Teens: Sweet Bird of Youth (Merge)
16 Ween: White Pepper (Elektra)
15 Hot Club of Cowtown: Dev'lish Mary (Rhino)
14 Apples in Stereo: Discovery of a World Inside the Moone (SpinArt)
13 PJ Harvey: Stories from the City, Stories from the Sea (Island)
12 Dandy Warhols: Thirteen Tales from Urban Bohemia (Capitol)
11 R.L. Burnside: Wish I Was in Heaven Sitting Down (Fat Possum)
10 Sleater-Kinney: All Hands on the Bad One (Kill Rock Stars)
09 Badly Drawn Boy: The Hour of Bewilderbeast (XL/Beggars Banquet)
08 Microphones: It Was Hot, We Stayed in the Water (K)
07 Smog: Dongs of Sevotion (Drag City)
06 Godspeed You Black Emperor: Lift Your Skinny Fists... (Kranky)
05 Grandaddy: The Sophtware Slump (V2)
04 Vic Chesnutt and Mr & Mrs Keneipp: Merriment (Backburner)
03 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
02 Radiohead: Kid A (Capitol)
01 Modest Mouse: The Moon & Antarctica (Epic)
Brent DiCrescenzo (Contributor)
20 Max Tundra: Some Best Friend You Turned Out to Be (Domino)
19 Ryan Adams: Heartbreaker (Bloodshot)
18 Godspeed You Black Emperor!: Lift Your Skinny Fists... (Kranky)
17 Badly Drawn Boy: The Hour of Bewilderbeast (XL/Beggars Banquet)
16 Shellac: 1000 Hurts (Touch & Go)
15 Mooney Suzuki: People Get Ready (Estrus)
14 Crooked Fingers: Crooked Fingers (Warm)
13 Idlewild: 100 Broken Windows (Food)
12 Laika: Good Looking Blues (Beggars Banquet)
11 Primal Scream: XTRMNTR (Creation/Astralwerks)
10 Enon: Believo! (SeeThru Broadcasting)
09 Broadcast: The Noise Made by People (Warp/Tommy Boy)
08 Delgados: The Great Eastern (Beggars Banquet)
07 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
06 Super Furry Animals: Mwng (Placid Casual/Flydaddy)
05 Grandaddy: The Sophtware Slump (V2)
04 Clinic: Internal Wrangler (Domino)
03 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
02 Modest Mouse: The Moon and Antarctica (Epic)
01 Radiohead: Kid A (Capitol)
Sam Eccleston (Staff Writer)
20 Mirah: You Think It's Like This... (K)
19 Libraness: Yesterday... and Tomorrow's Shells (Tiger Style)
18 Tarwater: Animals, Plants and Atoms (Kitty-Yo/Mute)
17 Eleventh Dream Day: Stalled Parade (Thrill Jockey)
16 Jega: Geometry (Planet µ/Matador)
15 Deltron 3030: Deltron 3030 (75 Ark)
14 Enemymine, The Ice in Me (Up)
13 Various Artists: Build Your Own Radio (Bumblebear)
12 Cannanes and Steward, Communicating at an Unknown Rate (Yo-Yo)
11 Shoes and Rider: Shoes and Rider EP (Dutch Courage)
10 Talib Kweli & DJ Hi-Tek: Reflection Eternal (Rawkus)
09 Spaceways Unlimited: Spaceways Unlimited (Atavistic)
08 Microphones: It Was Hot, We Stayed in the Water (K)
07 Devo: Pioneers Who Got Scalped (Rhino)
06 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
05 Yume Bitsu: Auspicious Winds (K)
04 Christine Back, untitled cassette (Red Square)
03 Outkast: Stankonia (LaFace)
02 Leo Cuypers: Heavy Days Are Here Again (Atavistic)
01 Radiohead: Kid A (Capitol)
Richard M. Juzwiak (Staff Writer)
20 Towa Tei: Last Century Modern (Elektra)
19 Elf Power: The Winter Is Coming (Arena Rock)
18 Ween: White Pepper (Elektra)
17 Elliott Smith: Figure 8 (Dreamworks)
16 OutKast: Stankonia (Arista)
15 The Go-Betweens: The Friends of Rachel Worth (Jetset)
14 Ian Pooley: Since Then (V2)
13 Radiohead: Kid A (Capitol)
12 Sea and Cake: Oui (Thrill Jockey)
11 D'Angelo: Voodoo (Virgin)
10 Sleater-Kinney: All Hands on the Bad One (Kill Rock Stars)
09 Grandaddy: The Sophtware Slump (V2)
08 Crooked Fingers: Crooked Fingers (Warm)
07 Björk: Selmasongs (Elektra)
06 Deltron 3030: Deltron 3030 (75Ark)
05 Damien Jurado: Ghost of David (Sub Pop)
04 Mirah: You Think It's Like This... (K)
03 Bebel Gilberto: Tanto Tempo (Six Degrees)
02 Badly Drawn Boy: The Hour of Bewilderbeast (XL/Beggars Banquet)
01 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
Ryan Kearney (Staff Writer)
20 John Vanderslice: Mass Suicide Occult Figurines (Barsuk)
19 Björk: Selmasongs (Elektra)
18 Enon: Believo! (SeeThru)
17 Quickspace: The Death of Quickspace (Matador)
16 Ryan Adams: Heartbreaker (Bloodshot)
15 Amon Tobin: Supermodified (Ninja Tune)
14 Steve Earle: Transcendental Blues (E Squared/Artemis)
13 Johnny Cash: American III: Solitary Man (American)
12 King Biscuit Time: No Style EP (Astralwerks)
11 Smog: Dongs of Sevotion (Drag City)
10 Microphones: It Was Hot, We Stayed in the Water (K)
09 A Silver Mt. Zion: He Has Left Us Alone... (Constellation)
08 Jackie-O Motherfucker: Fig. 5 (Road Cone)
07 Les Savy Fav: Rome (Written Upside Down) EP (Southern)
06 Godspeed You Black Emperor!: Lift Your Skinny Fists... (Kranky)
05 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
04 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
03 Grandaddy: The Sophtware Slump (V2)
02 Modest Mouse: The Moon and Antarctica (Epic)
01 Radiohead: Kid A (Capitol)
D. Erik Kempke (Staff Writer)
20 Grandaddy: The Sophtware Slump (V2)
19 Built to Spill: Live (Warner Bros.)
18 764-Hero: Weekends of Sound (Up)
17 Stereolab: First of the Microbe Hunters EP (Elektra)
16 David Thomas and Foreigners: Bay City (Thirsty Ear)
15 Don Caballero: American Don (Touch & Go)
14 The For Carnation: The For Carnation (Touch & Go)
13 Flying Saucer Attack: Mirror (Drag City)
12 Super Furry Animals: Mwng (Placid Casual/Flydaddy)
11 Nels Cline: The Inkling (Cryptogramophone)
10 Black Heart Procession: Three (Touch & Go)
09 Arab Strap: Elephant Shoe (Jetset)
08 Björk: Selmasongs (Elektra)
07 Modest Mouse: The Moon & Antarctica (Epic)
06 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
05 Microphones: It Was Hot, We Stayed in the Water (K)
04 Smog: Dongs of Sevotion (Drag City)
03 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
02 Radiohead: Kid A (Capitol)
01 Godspeed You Black Emperor!: Lift Your Skinny Fists... (Kranky)
Matt LeMay (Staff Writer)
20 Gas: Pop (Mille Plateaux)
19 Fucking Champs: IV (Drag City)
18 Eternals: Eternals (DeSoto)
17 Shellac: 1000 Hurts (Touch & Go)
16 Grandaddy: The Sophtware Slump (V2)
15 Electric Birds: Electric Birds (Deluxe)
14 Enon: Believo! (SeeThru)
13 Smog: Dongs of Sevotion (Drag City)
12 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
11 Q and Not U: No Kill No Beep Beep (Dischord)
10 Godspeed You Black Emperor: Lift Your Skinny Fists... (Kranky)
09 Amon Tobin: Supermodified (Ninja Tune)
08 Les Savy Fav: Rome (Written Upside Down) EP (Southern)
07 Microphones: It Was Hot, We Stayed in the Water (K)
06 Max Tundra: Some Best Friend You Turned Out to Be (Domino)
05 Modest Mouse: The Moon and Antarctica (Epic)
04 Summer Hymns: Voice Brother and Sister (Misra)
03 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
02 Clinic: Internal Wrangler (Domino)
01 Radiohead: Kid A (Capitol)
Camilo Arturo Leslie (Staff Writer)
20 Sleater-Kinney: All Hands on the Bad One (Kill Rock Stars)
19 Faraquet: The View from This Tower (Dischord)
18 Karate: Unsolved (Southern)
17 Mercury Program, From the Vapor of Gasoline (Tiger Style)
16 Legendary Marvin Pontiac: Greatest Hits (Strange & Beautiful)
15 Sea and Cake: Oui (Thrill Jockey)
14 Q and Not U: No Kill No Beep Beep (Dischord)
13 Trans Am: The Red Line (Thrill Jockey)
12 Seely: Winter Birds (Koch)
11 Tara Jane O'Neil: Peregrine (Touch & Go)
10 Duster: Contemporary Movement (Up)
09 Godspeed You Black Emperor: Lift Your Skinny Fists... (Kranky)
08 Radiohead: Kid A (Capitol)
07 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
06 Les Savy Fav: Rome (Written Upside Down) EP (Southern)
05 Low: One More Reason to Forget (Bluesanct)
04 Blonde Redhead: Melody of Certain Damaged Lemons (Touch & Go)
03 Modest Mouse: The Moon & Antarctica (Epic)
02 Elliott Smith: Figure 8 (Dreamworks)
01 Death Cab for Cutie: We Have the Facts... (Barsuk)
Nick Mirov (Contributor)
20 764-HERO: Weekends of Sound (Up)
19 Hot Snakes: Automatic Midnight (Sympathy for the Record Industry/Swami)
18 Loud Family: Attractive Nuisance (Alias)
17 Don Caballero: American Don (Touch & Go)
16 The For Carnation: The For Carnation (Touch & Go)
15 Mouse on Mars: Niun Niggung (Thrill Jockey)
14 Storm & Stress: Under Thunder and Fluorescent Light (Touch & Go)
13 Spoon: Love Ways (Merge)
12 Enon: Believo! (SeeThru)
11 Sleater-Kinney: All Hands on the Bad One (Kill Rock Stars)
10 Bright Eyes: Fevers and Mirrors (Saddle Creek)
09 Modest Mouse: The Moon and Antarctica (Epic)
08 David Grubbs: The Spectrum Between (Drag City)
07 Les Savy Fav: Rome (Written Upside Down) EP (Southern)
06 Blackalicious: Nia (Quannum)
05 Mazarin: Watch It Happen (Victoria)
04 Crooked Fingers: Crooked Fingers (Warm)
03 John Vanderslice: Mass Suicide Occult Figurines (Barsuk)
02 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
01 Radiohead: Kid A (Captiol)
Mark Richard-San (Staff Writer)
20 Bablicon: Orange Tapered Moon (Misra)
19 Gramm: Personal Rock (Source)
18 Grateful Dead: Dick's Picks Vol. 18 (Grateful Dead)
17 Grandaddy: The Sophtware Slump (V2)
16 Pole vs Four Tet: Pole vs Four Tet (Leaf)
15 Godspeed You Black Emperor: Lift Your Skinny Fists... (Kranky)
14 Neina: Subconsciousness (Mille Plateaux)
13 C-Schulz & Hajsch: C-Schulz & Hajsch (Sonig)
12 Califone: Califone EP (Road Cone)
11 Rachel's/Matmos: Full on Night EP (Touch & Go)
10 Duster: Contemporary Movement (Up)
09 Susumu Yokota: Sakura (Leaf)
08 Modest Mouse: The Moon & Antarctica (Epic)
07 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
06 Trans Am: The Red Line (Thrill Jockey)
05 Two Lone Swordsmen: Tiny Reminders (Warp)
04 Dirty Three: Whatever You Love, You Are (Touch & Go)
03 Electric Birds: Electric Birds (Deluxe)
02 Gas: Pop (Mille Plateaux)
01 Radiohead: Kid A (Capitol)
Kristin Sage Rockermann (Staff Writer)
20 The Hungry Ghosts: Alone, Alone (Smells Like)
19 King Biscuit Time: No Style EP (Astralwerks)
18 Shellac: 1000 Hurts (Touch and Go)
17 Sleater-Kinney: All Hands on the Bad One (Kill Rock Stars)
16 Foehn: Hidden Cinema Soundtrack (Fat Cat)
15 Bebel Gilberto: Tanto Tempo (Six Degrees)
14 Enon: Believo! (SeeThru)
13 Smog: Dongs of Sevotion (Drag City)
12 Les Savy Fav: Rome (Written Upside Down) EP (Southern)
11 Gas: Pop (Mille Plateaux)
10 Faraquet: The View from This Tower (Dischord)
09 Primal Scream: XTRMNTR (Astralwerks)
08 Super Furry Animals: Mwng (Flydaddy)
07 Grandaddy: The Sophtware Slump (V2)
06 Cat Power: The Covers Record (Matador)
05 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
04 Clinic: Internal Wrangler (Domino)
03 Modest Mouse: The Moon and Antarctica (Epic)
02 Yo La Tengo: And Then Nothing Turned Itself Inside-Out (Matador)
01 Radiohead: Kid A (Capitol)
Ryan Schreiber (Publisher/Editor-in-Chief)
20 Grandaddy: The Sophtware Slump (V2)
19 Max Tundra: Some Best Friend You Turned Out to Be (Domino)
18 Björk: Selmasongs (Elektra)
17 Marumari: The Wolves' Hollow (Carpark)
16 Amon Tobin: Supermodified (Ninja Tune)
15 Faraquet: The View from This Tower (Dischord)
14 Gas: Pop (Mille Plateaux)
13 Primal Scream: XTRMNTR (Astralwerks)
12 Smog: Dongs of Sevotion (Drag City)
11 Q and Not U: No Kill No Beep Beep (Dischord)
10 Les Savy Fav: Rome (Written Upside Down) EP (Southern)
09 King Biscuit Time: No Style EP (Astralwerks)
08 Yo La Tengo: And Then Nothing Turned Itself... (Matador)
07 Godspeed You Black Emperor!: Lift Your Skinny Fists... (Kranky)
06 Summer Hymns: Voice Brother and Sister (Misra)
05 Microphones: It Was Hot, We Stayed in the Water (K)
04 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
03 Clinic: Internal Wrangler (Domino)
02 Modest Mouse: The Moon & Antarctica (Epic)
01 Radiohead: Kid A (Capitol)
Brent S. Sirota (Staff Writer)
20 Bonnie Billy & the Marquis de Tren: Get on Jolly EP (Palace)
19 Savath + Savalas: Folk Songs for Trains, Trees and Honey (Hefty)
18 Summer Hymns: Voice Brother and Sister (Misra)
17 Smog: Dongs of Sevotion (Drag City)
16 Dirty Three: Whatever You Love, You Are (Touch & Go)
15 Microphones: It Was Hot, We Stayed in the Water (K)
14 Built to Spill: Live (Warner Bros.)
13 Hochenkeit: Omu4h 4aholab/400 Boys (Road Cone)
12 Mahavishnu Orchestra: The Lost Trident Sessions (Sony Legacy)
11 Sigur Rós: Ágætis Byrjun (Smekkleysa/Bubble Core)
10 Rollerball: Einäugige Kirsche EP (Road Cone)
09 Vandermark Five: Burn the Incline (Atavistic)
08 Fucking Champs: IV (Drag City)
07 Sea and Cake: Oui (Thrill Jockey)
06 Godspeed You Black Emperor!: Lift Your Skinny Fists... (Kranky)
05 The For Carnation: The For Carnation (Touch & Go)
04 Pinetop Seven: Bringing Home the Last Great Strike (Truckstop/Atavistic)
03 Modest Mouse: The Moon and Antarctica (Epic)
02 Radiohead: Kid A (Capitol)
01 Jackie-O Motherfucker: Fig. 5 (Road Cone)
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