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Dengue Fever Play West Coast, SXSW Dates

Influenced by Ethiopian soul, American R&B, and Cambodian pop (thanks to frontwoman Ch'hom Nimol, an honest-to-goodness Cambodian pop star), Los Angeles' Dengue Fever are already quite worldly. But during the next month, they'll become even more cosmopolitan, as they travel to such exotic locales as Seattle, Santa Cruz, and Portland. After wrapping up a residency at their hometown's Tangier Club, they'll take off on a whirlwind mini-tour up the West Coast, which will eventually take them to...Texas. Not sure how that works geographically, but we'll trust them.

The dates will be in support of last year's Escape From Dragon House. Dengue Fever's SXSW performance will take place on a bill that also feature bands from Iran, Russia, Sierra Leone, and Brazil. Kinda makes all those British showcases seem boring, huh?

Burning up:

02-23 Los Angeles, CA - Tangier Club
03-02 Los Angeles, CA - Tangier Club
03-07 Seattle, WA - Chop Suey
03-08 Portland, OR - Towne Lounge
03-11 San Francisco, CA - 12 Galaxies
03-12 Santa Cruz, CA - The Attic
03-16 Austin, TX - Caribbean Lights *

* with 127, Auktyon, the Refugee All Stars, Lenine

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SXSW Schedule Announced

Rev up the Blackberry, 'cause it's time to do some serious jotting. Late last week, the powers behind the 2006 South by Southwest Music Conference unfurled the schedule for their annual live music orgy, which will take place March 15-19 in the bars, clubs, dancehalls, auditoriums, lounges, theaters, public parks, restaurants, BBQ pits, pool halls, honky tonks, cantinas, church basements, street corners, and backyards of Austin, Texas.

As previously reported, there are approximately nine gajillion bands playing SXSW this year. Most of them have been organized into some semblance of order now, slotted into lineups that range from the sensible (Islands, We Are Wolves, and Vietnam at Carribean Lights on March 17) to the inane (the eMusic showcase at the Town Lake Stage at Auditorium Shores on March 16, featuring Mr. Lif, Blackalicious, Spoon, and Echo & the Bunnymen), and the hyped beyond belief (March 18 at the Fox and Hound: We Are Scientists, She Wants Revenge, Be Your Own Pet, Forward Russia, and Whirlwind Heat...gag) to the under the radar (March 16 at the Central Presbyterian Church: Rhys Chatham, Tony Conrad, Zeena Parkins, San Augustin, Arnold Dreyblatt Ensemble, and Jonathan Kane's February).

Just about every indie rock label in the world will present a showcase, including Merge, Matador, Polyvinyl, Rhymesayers, Astralwerks, Birdman, Absolutely Kosher, Saddle Creek, Barsuk, Flameshovel, French Kiss, Yep Roc, Babygrande, GSL, Lookout!, Bloodshot, Kill Rock Stars/5RC, Beggars Group, Suicide Squeeze, Locust, Fat Cat, Paw Tracks, New West, the End, the Militia Group, Ace Fu, Monitor, Mush, the Leaf Label, Sub Pop, Kemado, Tee Pee, Bar/None, Drive-Thru, Alternative Tentacles, Domino, Misra, Ninja Tune/Big Dada, Victory, Tigerbeat6, Gearhead, Secretly Canadian/Jagjaguwar, Anti-, Startime Intl., 679, Relapse, and yo mama.

Every British post-punk band the NME has liked for the past two years will be there, but most of them will play to half-empty clubs because everyone will be waiting in line to see Arctic Monkeys (who, along with Art Brut and surely many others, have yet to be put on the schedule). Morrissey will appear at the BBC Radio 2 showcase at the Austin Music Hall on March 16, along with Richard Hawley, Goldfrapp, and the Zutons. We will cry if we don't get into that one.

Apparently, Andy Dick (yes, Andy Dick) is performing at the Molotov Lounge at midnight on March 15. We're not sure exactly what he's going to do, but he's listed under "Avant/Experimental", so drones and found sound, maybe?

During the day, the bleary-eyed masses will stumble around the conference's headquarters, the Austin Convention Center, taking in interviews with the likes of Morrissey, the Beastie Boys, the Pretenders, and Neil Young, and arguing with panels about blogs, Houston rap, podcasts, artist development, and "Ten Things You Can Do to Change the World". That last one would sound kinda lame if Jenny Toomey from Tsunami/Simple Machines/Future of Music Coalition wasn't moderating it, and Steve Earle, Rodney Crowell, Chris Walla, and Hank Shocklee weren't the panelists.

Of course, the zenith of SXSW 2006 will be Pitchfork's own day party (co-presented by the wonderful Windish Agency), which will take place March 17 from noon to six at Emo's Annex. Funnydude Patton Oswalt will MC the shindig, Death Vessel, José González, Hot Chip, Spank Rock, the Juan Maclean, Love Is All, and Art Brut will perform live, and Ladytron, Audion, and Rjd2 will spin records. It's free and open to the public, so start lining up NOW.

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Damon Albarn Working on Musical

Guys, if Rosie O'Donnell can do it, you better well fucking believe Damon Albarn is more than capable. No, the Blur/Gorillaz frontman isn't adopting a bunch of kids and developing a massive boner for Tom Cruise (that we know of). Rather, just like Rosie, he is bringing his love of theater to life. BBC News reported last week that Albarn is collaborating on a stage musical based on the London neighborhood of Notting Hill.

Hey, remember that Julia Roberts/Hugh Grant movie Notting Hill? OK, let's forget it.

According to the BBC, Albarn is working alongside award-winning British playwright Roy Williams on the musical, which is set to open at the National Theatre in 2007. The show will purportedly focus on the area's diversity and multiculturalism.

"It will allow Damon to develop his passionate interest in the many musical styles that have emerged from Notting Hill over the past four decades," National Theatre director Nicholas Hytner told the BBC. "Damon is one of the most unique and inventive musicians of the moment," he added.

As for Albarn's blurry (AHH!) plans with Blur, the band is marching forward begrudgingly without guitar hero Graham Coxon in tow. Albarn told NME late last year that the next Blur album, the follow-up to 2003's Think Tank, will be recorded without an additional guitarist. Speaking to NME, he said, "The reason why it's so basic is we decided that if we're going to make another record it's just got to be the three of us and I've got to play guitar. And because I'm such a rudimentary guitarist it has to be really stupid and basic punk rock."

Albarn is also still hard at work on his first proper solo album, which, much like Think Tank and his Mali Music side project, will have a world-beat tinge to it. "I'm halfway through a record that I started in Nigeria last year," he said.

Gorillaz were last seen being really boring at the Grammys. C'mon, even Jem had more exciting holograms than that.

* Blur: http://www.blur.co.uk/

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Nicolai Dunger Collaborates With Mercury Rev

It ain't Fiona Apple-crazy, but the title of Nicolai Dunger's new record is still pretty nuts. On March 14, Zoë/Rounder will release Here's My Song, You Can Have It...I Don't Want It Anymore/Yours 4-Ever, Nicolai Dunger, which the Swedish alt-folkie produced and recorded with psych-pop stalwarts Mercury Rev. Ah, must've been the acid talking, then.

Dunger has previously collaborated with such luminaries as Will Oldham, the Soundtrack of Our Lives, the Concretes, Calexico, Silver Jews/Sonic Youth/Jukeboxer drummer Timothy Barnes, the jazz trio E.S.T., and Dungen's Reine Fiske. So Mercury Rev are just a notch in his bedpost. But he's just a line in a song.

Here's his songs:

01 My Time Is Now
02 Hunger
03 Slaves (We're Together Like)
04 Someone New
05 White Wild Horses
06 Tell Me
07 Country Lane
08 Way Up High
09 The Year of the Love and Hurt Cycle
10 Harp's Coming In
11 ...and Falling Out

"The Year of the Love and Hurt Cycle" is an eight-and-a-half-minute epic in twelve parts-- one for each month of the titular year. We'd like to tell you that the song ends with the revelation that the midget is the baby's father, but that would be a lie.

Here's My Song was originally released in 2004 on Dolores Recordings/Virgin Records. Lots of stuff has happened to Dunger since then: he's toured with Sufjan Stevens, put out a three-LP box set, recorded his first Swedish-language album (Nicolai Dunger sjunger Edith Södergran"), and contributed a track to a compilation called "Jävla Kritiker" ("Fucking Critics") in which artists wrote songs in response to their reviews. (God, we hope nobody decides to run with that idea in America.)

Dunger has no plans to tour at the moment, but he will play two American shows with members of Mercury Rev-- once in New York City later this month, and once at SXSW.

Dates:

02-25 Luleĺ, Sweden - Luleĺ University (solo)
02-28 New York, NY - Mercury Lounge
03-17 Austin, TX - 18th Floor at Capitol Place (No Depression showcase) *
04-12 Dublin, Ireland - Douglas Hyde Gallery at Trinity College (solo)

* with Robyn Ludwick, Sarah Borges, Tim O'Reagan, Bruce Robinson

As for Mercury Rev, well, we don't really know what else they've got going on right now. Sorry.

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Acid Mothers Temple Plan American Tour

Is there anything more slippery than the unleashed contents of a lava lamp? Why, yes! The Acid Mothers Temple "soul collective," of course. The loose amalgam of musicians led by the inmitable Mokoto Kawabata have big plans for 2006, and we'll be the first to admit we won't be able to keep track of it all.

But here goes nothing: while the group's website proclaimed late last December that the Acid Mothers Temple and the Melting Paraiso U.F.O. moniker would return from a year-long hiatus this spring with an album and tour, the Acid Mothers Temple and the Cosmic Inferno are not waiting around. In fact, Alien8 Recordings is putting out their latest album, Starless and Bible Black Sabbath, tomorrow, February 21.

As you meditate on the unholy marriage of Fripp and Osbourne, make sure to mark your calendar for the latest AMT incarnation's trek through America, which will take place in April and May. Hopefully Kawabata and whoever else he brings can avoid the visa delays that forced AMT to cancel several shows here last year.

Underground Freak Outs:

04-19 New York, NY - Knitting Factory *
04-20 Providence, RI - AS220 #
04-21 Philadelphia, PA - Vox Populi Gallery *
04-22 Baltimore, MD - Ottobar *
04-23 Asheville, NC - Grey Eagle Tavern *
04-24 Atlanta, GA - The Earl *
04-26 New Orleans, LA - One Eyed Jacks *
04-27 Houston, TX - Walter's on Washington *
04-28 Austin, TX - Emo's *
04-29 Denton, TX - Hailey's *
04-30 Kansas City, MO - The Record Bar *
05-01 Denver, CO - Larimer Lounge *
05-02 Salt Lake City, UT - Urban Lounge *
05-04 Tucson, AZ - Plush *
05-05 San Diego, CA - Casbah *
05-06 Hollywood, CA - Knitting Factory *
05-07 San Francisco, CA - Bottom of the Hill *%
05-08 Portland, OR - Doug Fir Lounge *
05-09 Seattle, WA - Neumo's *
05-12 Minneapolis, MN - Triple Rock *
05-13 Chicago, IL - Empty Bottle *
05-14 Detroit, MI - Magic Stick *
05-15 Cleveland Heights, OH - Grog Shop *
05-16 Buffalo, NY - Soundlab *
05-17 Wallingford, CT - Wallingford American Legion *
05-19 Cambridge, MA - Middle East Upstairs *
05-20 Brooklyn, NY - Northsix *

* with the Antarcticans
# with Abunai, Bright
% with Tryptophan

P.S. The AMT website recently posted a 61-part FAQ section called "Kawabata's Words" compiling the AMT frontman's answers to several common press inquiries into the enigmatic group's life and past. The questions range from "Are all Acid Mothers tracks initially improvised?" to "If you had to describe something like the idea of time, how would you do so? Is it a concept that sonically could be described?" His answer to the latter: "I never feel the necessity of capturing ideas in written form. My music comes to me as a continuous broadcast from the cosmos and I merely recreate those sounds."

Right.

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The Band Reissue Two Late-Period Albums

Following 2005's massive archival box set A Musical History, two albums from the final chapter of the Band's 30-year career will be reissued this week. Remastered versions of 1993's Jericho and 1996's High on the Hog hit stores tomorrow, February 21, via Titan/Pyramid.

The albums marked the Band's return to the studio for the first time since their infamous breakup in 1978, following the much-ballyhooed farewell concert The Last Waltz. They were also the group's first without guitarist and principal songwriter Robbie Robertson, who would unsuccessfully sue the four reformed members in an attempt to stop them from continuing to use the Band moniker.

Fans were unsure how their reunion efforts would effect the Band's near-bulletproof legacy, but Jericho caught many critics by surprise, showcasing the group's continued musical strengths in the wake of Robertson's departure. While not quite living up to their 60s/70s peaks (who could?), the remaining foursome turned in a surprisingly skillful collection of tunes, including covers of Bob Dylan ("Blind Willie McTell") and Bruce Springsteen ("Atlantic City"). Jericho also contained the final studio recording of the haunting tenor vocals of pianist Richard Manuel, who killed himself in 1986.

High on the Hog was pleasant, but much less successful than Jericho, possibly because the Band chose to cover En Vogue's "Free Your Mind" on it. Or because the cover, which features an evil pig smoking a cigarette, would have been rejected by Alice in Chains for being too tacky. However, the album does include a fresh take on Bob Dylan's "Forever Young," which the Band had originally backed Dylan on in 1974. There's also live track from 1986 ("She Knows") featuring the late Manuel.

Since Capitol Records overhauled the Band's classic Robertson-helmed discs at the beginning of the decade, this latest pair of remasters leave their final LP, 1998's Jubilation, as the only album from their catalog yet to be reissued.

Tracklists:

Jericho:

01 Remedy
02 Blind Willie McTell
03 The Caves of Jericho
04 Atlantic City
05 Too Soon Gone
06 Country Boy
07 Move to Japan
08 Amazon (River Of Dreams)
09 Stuff You Gotta Watch
10 Same Thing
11 Shine a Light
12 Blues Stay Away From Me

High on the Hog:

01 Stand Up
02 Back to Memphis
03 Where I Should Always Be
04 Free Your Mind
05 Forever Young
06 The High Price of Love
07 Crazy Mama
08 I Must Love You Too Much
09 She Knows
10 Ramble Jungle
11 Young Blood
12 Chain Gang

In other Band-related news, keyboardist Garth Hudson appears on Neko Case's forthcoming album Fox Confessor Brings the Flood.

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Exclusive: Matthew Herbert Talks Scale

A sound is never just a sound to Matthew Herbert, and a piece of music is never just a piece of music-- it's an act of protest. Whether working under his own name or under a series of aliases (Doctor Rockit, Radio Boy, Wishmountain, etc.), the British producer treats both process and product as political entities. He has made albums about physicality using the sounds of the human body (2001's Bodily Functions), mass consumption using food and food processing materials (last year's Plat du Jour), and the evils of corporate globalization using McDonalds wrappers, Gap boxer shorts, Marlboro cigarettes, and a Starship Troopers video cassette, among other source materials.

Every Herbert album is a concept album to a certain extent, and his latest, Scale, due out May 30 on !K7, is no different. Using "the idea of distance in our lives" as its platform, Scale is reminiscent of the poppier, more straightforwardly song-oriented sound Herbert cultivated on Bodily Functions and 1998's Around the House, as well as his work on Róisín Murphy's 2005 album Ruby Blue.

"My goals, as always these days, are to bring down Tony Blair [and] the American empire, a withdrawal of troops in Iraq and bring[ing] about an end to our reliance on oil," Herbert told Pitchfork in an email interview. "I will, as usual fail. This time, instead of trying to do it with a process of intense political organisation of sounds, I have chosen to shroud these ambitions in song."

He continued, "On Plat du Jour, my last record, I had few harmonic tools with which to write the melodies and not one traditional instrument. For Scale therefore I wanted to languish in the freedoms of an orchestra, the satisfying fall of a melody played by a musician on an instrument developed over hundreds of years. It is a celebration of all the luxuries I have been afforded by the age of cheap oil and a critique of all the violence that allowed those privileges."

Write your congressman to the tune of this tracklist:

01 Something Isn't Right
02 The Movers and Shakers
03 Moving Like a Train
04 Harmonise
05 We're in Love
06 Birds of a Feather
07 Those Feelings
08 Down
09 Movie Star
10 Just Once
11 Wrong

Scale features vocal contributions from Herbert's longtime collaborator Dani Siciliano, newcomer Neil Thomas, and Dave Okumu of Jade Fox, who also provides some guitar work. Herbert himself sings (or "croaks", as he put it) on the closing track, "Wrong".

However, the album's most intriguing guest spots come from an unusual source: Herbert fans. Late last year, Herbert and !K7 set up "Herbert's Hotline", open to anyone and everyone, with the intent of collecting sounds to use on the album. "We ended up with 177 messages, including a threat of violence, random mumblings, self-promoters, and a lot of slightly disturbing noises," Herbert said. "I used all of them on the track 'Just Once'. Hopefully with careful listening, people can recognize their own contribution."

As for the other sources of Scale's seductive cacophony, Herbert credits "meteorites, coffins, golf swings, cars, tornado bombers, petrol pumps, breakfast cereal, etc. etc." If anybody else said that, we'd think they were joking, but this is Matthew Herbert we're talking about.

Scale's first single, the double A side "Movers and Shakers"/"Harmonize", will be released in May, with "Moving Like a Train" due out in July. Herbert and Siciliano recorded Siciliano's sophomore solo album, Slappers, at the same time as Scale. It's scheduled for release in August. ("It rocks," said Herbert.)

In the meantime, the pair are preparing for a tour, which should kick off in April. Herbert is also keeping busy with "choral music for a contemporary dance piece, a film score, remixes as usual, grow[ing] vegetables, and hav[ing] a haircut." Good to know.

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Strokes Announce New Single, More U.S. Dates

Call your local radio station! Stand in Times Square with a fluorescent magic-markered sign! Spam the chat rooms! 'Cause it's time for a new Strokes single.

On March 13, Rough Trade will release "Heart in a Cage" in the UK, where you will be able to buy it in actual stores. But here in the States, where singles just kind of appear out of thin air, you can either click wheel over to track three of the band's latest album, First Impressions of Earth, or you can catch the Sam Bayer-directed music video when it premieres this Friday, February 17, on music.yahoo.com. Unless YouTube gets to it first.

The Strokes finish up their UK tour this week, and promise to return to Europe this summer for a run through the festival circuit. The gang recently added several more dates to their US tour, which kicks off March 1.

Happy Stroking:

02-17 London, England - Hammersmith Apollo *
02-18 London, England - Hammersmith Apollo *
02-20 Dublin, Ireland - The Point *
02-21 Belfast, Northern Ireland - Ulster Hall *
03-01 New York, NY - Hammerstein Ballroom #
03-03 New York, NY - Hammerstein Ballroom #
03-04 New York, NY - Hammerstein Ballroom #
03-06 Nashville, TN - Ryman Auditorium #
03-08 Atlanta, GA - Tabernacle #
03-10 Kansas City, MO - Uptown Theatre #
03-11 Tulsa, OK - Cain's Ballroom #
03-14 Austin, TX - Stubb's #
03-15 Houston, TX - Verizon Wireless Theater #
03-17 Grande Prairie, TX - Nokia Theatre #
03-19 Denver, CO - Fillmore Auditorium #
03-21 Mesa, AZ - Mesa Amphitheatre #
03-22 Las Vegas, NV - Hard Rock Hotel #
03-24 San Francisco, CA - Concourse at SF Design Center #
03-25 Anaheim, CA - The Pond #
03-30 Los Angeles, CA - Universal Amphitheater #
04-02 Portland, OR - Roseland #
04-04 Seattle, WA - Paramount Theatre #
04-07 Chicago, IL - Aragon Ballroom #
04-08 St. Louis, MO - The Pageant #
04-10 Milwaukee, WI - Eagles Ballroom #
04-11 Minneapolis, MN - Orpheum Theatre #
04-13 Detroit, MI - State Theatre #
04-14 Cleveland, OH - Agora Theatre #

* with Adam Green
# with Eagles of Death Metal

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Walkmen Reveal Hundred Miles Tracklist, Release Date

We all love modern guy Hamilton Leithauser, with his soap opera-worthy moniker and his dumb haircut from 1960, ambling about the stage like some vertigo-addled boxer. Come May 23, we'll have twelve more reasons to adore Hammy and his band the Walkmen, as on that day, they will release their third offering of woozy, fractured pop, A Hundred Miles Off.

The follow-up to 2004's well-received Bows + Arrows, A Hundred Miles Off arrives courtesy of the Record Collection label and is "much more solid than the last record." So said Herr Leithauser in an interview with Billboard.com today. The frontman went on to remark, "We're all very proud of this...there are no dips, so it is very different in that regard. We've always been pretty heavy, and this seems a little lighter. I mean, it still sounds like the same band. But it has a lot less organ involved."

What can we the listenership expect from Miles? Leithauser told Billboard that album opener "Louisiana" is "light and fun sounding. We added a trumpet line, and it has a very Dylan 'Basement Tapes'-era feel to it. But it's a nod, not a ripoff." Meanwhile, "All Hands and the Cook" has a "sort of swingtime feel to it. It is probably our best song we did, and you could say it sounds like a modern Leonard Cohen."

How about "Danny's at the Wedding", Hamilton? "Straight up Walkmen-sounding," says he. "It's a rock song, but in a different way than 'The Rat' [from Bows + Arrows]." Yay! We like rock songs.

Where Walkmen and iPods collide:

01 Louisiana
02 Danny's at the Wedding
03 Good for You's Good for Me
04 Emma, Get Me a Lemon
05 All Hands and the Cook
06 Lost in Boston
07 Don't Get Me Down (Come on Over Here)
08 This Job Is Killing Me
09 Tenley Town
10 Brandy Alexander
11 Always After You ('Til You Started After Me)
12 Another One Goes By

A Hundred Miles Off was recorded at Washington, DC's Inner Ear Studios, with engineering assistance from the one and only Don Zientara (who's twiddled for pretty much every DC act of worth in the past 20 years), and in the Walkmen's own NY headquarters, Marcata Studios. Sadly, Marcata will soon be closing its doors, as nearby Columbia University plans to raze the neighborhood to erect even more shrines to academia. The band is hawking a whole heap of equipment at www.marcata.net in memoriam.

Some dreams die, while others come true: the Walkmen (and, alas, not Xiu Xiu) will open two dates for the legendary Pogues next month. They'll play a few east coast colleges (including Hamilton, natch), followed by a spot at Coachella and a full-scale TBA U.S. and UK tour.

No headphones required:

03-08 Columbus, OH - Skully's Music Diner
03-09 Knoxville, TN - Blue Cat's
03-10 Davidson, NC - Davidson College
03-15 Boston, MA - The Orpheum *
03-17 New York, NY - Nokia Theatre *
03-24 Boston, MA - Northeastern University
04-01 Clinton, NY - Hamilton College
04-29 Indio, CA - Empire Polo Field (Coachella Festival) #

* with The Pogues
# with Depeche Mode, Daft Punk, Franz Ferdinand, Sigur Rós, My Morning Jacket, TV on the Radio, Ladytron, Clap Your Hands Say Yeah, Cat Power, Animal Collective, Devendra Banhart, Lady Sovereign, Deerhoof, et al

As previously reported, the boys are still slaving over the quill, collectively writing a novel titled John's Journey. But they seem to have found time last month to record a full-length rendition of Harry Nilsson's 1974 LP Pussy Cats, which will see release via Record Collection later this year. A making-of DVD will accompany the dubious spectacle. Oh, the humanity.

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Fiery Furnaces Brew Bitter Tea Tracklist

In addition to preparing for the April 18 release of their newest album, Bitter Tea, on new label Fat Possum, the Fiery Furnaces have been making sure us Pitchfork news writers make it to nationals in speed-typing. The Friedberger duo, who we've reported on twice in the past two weeks, have revealed information about their upcoming release as slowly as a leaky pipe. But as of today, the plumbing has finally been fixed, as the very last piece of Bitter Tea news can be announced at last: the tracklist.

And the curtain rises:

01 In My Little Thatched Hut
02 I'm in No Mood
03 Black-hearted Boy
04 Bitter Tea
05 Teach Me Sweetheart
06 Waiting to Know You
07 The Vietnamese Telephone Ministry
08 Oh Sweet Woods
09 Borneo
10 Police Sweater Blood Vow
11 Nevers
12 Benton Harbor Blues
13 Whistle Rhapsody?
14 Benton Harbor Blues Again

Bitter Tea is said to be poppier and more straightforward than the Furnaces' last effort, Rehearsing My Choir, but then again, so is my toenail focus. The album, recorded in Benton Harbour, Michigan, last year, was written and produced by Mr. Friedberger while Eleanor handled the vocals and some percussion.

"Bitter Tea is a very girly record. The granddaughter record, as opposed to the grandmother record," Matt Friedberger said in a press release. The Furnaces also described the album's sound as "Sissy Psychedelic Satanism". So it sounds like Current 93?

As previously reported, the Furnaces recently began a US tour which concludes next month at South by Southwest (SXSW if you're schmoozy). Dates:

02-14 Charlotte, NC - Visulite Theatre *
02-15 Asheville, NC - The Orange Peel *
02-17 Tallahassee, FL - Club Downunder *
02-18 St. Petersburg, FL - The State Theatre *
02-19 Orlando, FL - The Social *
02-20 Gainesville, FL - Common Grounds *
02-22 Atlanta, GA - Smith's Olde Bar *
02-23 Nashville, TN - Exit/In *#
02-24 St. Louis, MO - Mississippi Nights *#
02-25 Champaign, IL - High Dive *#
02-27 Indianapolis, IN - The Music Mill *#
02-28 Cleveland Heights, OH - Grog Shop *#
03-01 Millvale, PA - Mr. Small's Theater #
03-03 Ithaca, NY - Cornell University
03-04 Providence, RI - Rhode Island School of Design Auditorium
03-16 Austin, TX - Stubb's BBQ (SXSW)
03-17 Austin, TX - Red's Scoot-Inn (SXSW)

* with Deadboy & the Elephantmen
# with Sybris

Oh, and for the third time, we'd like to let you know that Matt Friedberger recently revealed to Pitchfork news of two solo records, set to see light later this year on 859 Records. So keep that in mind until the next time we report on it, which will probably be tomorrow.

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TV on the Radio Schedule U.S., UK Shows

Many, many moons ago we scooped you on the forthcoming TV on the Radio long-player, which our Pitchfork-insignia'd divining rods told us will arrive sometime in a year which contains numbers. Also, this year will most assuredly have a "2" and, quite possibly, a "0" in it.

Is the uncertainty killing you? Join TV on the Radio this spring for some very real, definite, and unambiguous concert events. The dudes will play a one-off show in London before returning to their homeland to cruise along the southern and western portions of this here continent. They will then pond-skip back over to the UK for the party of the future.

Staring at the stage:

03-06 London, England - ICA 04-21 Baton Rouge, LA - Spanish Moon *
04-22 Houston, TX - Warehouse Live *
04-23 Dallas, TX - Gypsy Tea Room *
04-24 Austin, TX - Emo's *
04-26 Tucson, AZ - Club Congress *
04-27 Tempe, AZ - Marquee Theatre $
04-28 San Diego, CA - Casbah *
04-29 Indio, CA - Empire Polo Field (Coachella) #
05-01 San Francisco, CA - The Independent *
05-02 San Francisco, CA - The Independent *
05-04 Portland, OR - Crystal Ballroom *
05-05 Seattle, WA - Showbox *
05-06 Vancouver, British Columbia - Richard's on Richards*
05-13 East Sussex, England - Camber Sands Holiday Centre (All Tomorrow's Parties) *^

* with Celebration
# with Depeche Mode, Daft Punk, Franz Ferdinand, Sigur Rós, My Morning Jacket, Ladytron, Clap Your Hands Say Yeah, Cat Power, Animal Collective, Devendra Banhart, The Walkmen, Lady Sovereign, Deerhoof, et al
$ with Bloc Party
^ with Yeah Yeah Yeahs, Liars, Oneida, The Blood Brothers, Imaginary Folk, Services, The Magik Markers, Ex Models, Zusammenn

Have a hankering for some recorded material remotely involving your pals in TV on the Radio? We suggest the new Prefuse 73 or forthcoming Massive Attack records, both of which feature contributions from TVOTR members. We don't suggest creating your own Television/Radiohead mash-ups; those will invariably blow.

* TV on the Radio Blog: <a

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Cam'ron Takes on Internet Pedophiles

When it comes to catching pedophiles, who do you trust more: a man in uniform, or a man in a purple chinchilla coat?

Exactly.

At a recent press conference, rapper/entrepreneur/Dipset leader Cam'ron announced that he intends to wipe out the internet child porn problem in his own special way: on DVD. According to MTV.com, Killa was inspired by an MSNBC special report on adults using the World Wide Web as a tool to set up dates with children and adolescents. So he began patrolling the internet and the streets, deceiving, confronting, shocking, and, yes, videotaping creeps on the prowl for underage victims.

Cam told MTV, "When they get there, it's gonna be me and [my manager] Big Joe like, 'What the hell are you doing, you damn pervert? What the f--- is wrong with you, coming to meet a 13-year-old boy?' We're gonna talk to them and not let them leave until we find out what's wrong with them."

Hopefully, the interrogations will also include interpolations of cheesy 80s hits, references to Dora the Explorer, Juelz Santana guest spots, and clubbing dudes over the head with a Dipset Eagle piece and/or that massive spinning globe thing Cam has been wearing around his neck lately. Because we'd really, really like to see all of that on film.

After 10 such "get-togethers" have been put to tape (the count currently stands at two), Cam'ron intends to collect 'em all on one masterpiece DVD. Can this be on the same disc as the Killa Season movie? Please?

MTV also reports that according to Cam's Diplomats, the police won't be involved in any of this. No surprise there, as Cam has repeatedly refused to cooperate with the investigation surrounding his shooting in D.C. in October. Like we always say, if you can't get along with the law, get along above it.

In other news, Jay-Z continues to wear mandals.

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